SELECT COLLEGE LIBRARY

Library Management System

  • HOME
  • MAIN SITE
  • CLASSROOM
  • MYPORTAL
  • EMERALD JOURNAL
  • Member Area
  • Select Language :
    Arabic Bengali Brazilian Portuguese English Espanol German Indonesian Japanese Malay Persian Russian Thai Turkish Urdu

Search by :

ALL Author Subject ISBN/ISSN Advanced Search

Last search:

{{tmpObj[k].text}}
Deprecated: trim(): Passing null to parameter #1 ($string) of type string is deprecated in /home/maincampus/public_html/library/lib/detail.inc.php on line 151
Image of The Economy of Icons: How Business Manufactures Meaning

Text

The Economy of Icons: How Business Manufactures Meaning

Ernest Sternberg - Personal Name;

Though many still think that we live in an information economy, Ernest Sternberg asserts that the driving force in 21st-century capitalism is not information, but image. Through studies of food processing, real estate development, tourism, movies, and labor performances, he examines how businesses endow products with evocative meaning.It has become common wisdom that we live in a postindustrial information society in which data and calculation underlie wealth. But now that information is as routinely produced as industrial or agricultural goods, businesses are discovering that they best achieve competitive advantage by producing what consumers most dearly seek?€”personal meaning. The 21st-century economy produces just that: not merely information, but evocative images; not just commodities, but meaning-laden icons. As Sternberg shows, foods now appeal through their sensuality and nostalgia; houses and stores draw customers through their exoticism; people sell their labor through the deliberate performance of the self for the market; and tourist destinations offer up carefully crafted thematic experiences. Whereas farms, factories, and information processors once stood at the core of the economy, now movie studios do, producing the product valued above all, meaningful content, from which downstream firms acquire the themes that animate desire.Now that meaning pervades production, Sternberg argues, modes of inquiry once reserved for the humanities make sense in the study of the economy. Drawing on art history and aesthetics, he introduces iconography as a mode of cultural analysis adapted to the study of commercial production. Through comparative studies of diverse economic sectors, ranging from food processing to tourism, Sternberg carries out an iconographic analysis of the new economy. This is a provocative study for scholars, students, and professionals dealing with marketing and consumer research, culture and media studies, socio-economics, and economic geography.


Availability

No copy data

Detail Information
Series Title
-
Call Number
300 Ern
Publisher
Hoboken, NJ : ., 1999
Collation
192[189] Pages
Language
English
ISBN/ISSN
0275966410, 9780275966416, 9781567509441
Classification
300
Content Type
-
Media Type
-
Carrier Type
-
Edition
-
Subject(s)
-
Specific Detail Info
-
Statement of Responsibility
-
Other version/related

No other version available

File Attachment
  • The Economy of Icons: How Business Manufactures Meaning
Comments

You must be logged in to post a comment

SELECT COLLEGE LIBRARY
  • Information
  • Services
  • Librarian
  • Member Area

About Us

As a complete Library Management System, Select Library Management System is designed to help students faculty and librarians to access all library resources in a matter of seconds.

Search

start it by typing one or more keywords for title, author or subject


© 2025 — Select College

Powered by Maedot
Select the topic you are interested in
  • Computer Science, Information & General Works
  • Philosophy & Psychology
  • Religion
  • Social Sciences
  • Language
  • Pure Science
  • Applied Sciences
  • Art & Recreation
  • Literature
  • History & Geography
Icons made by Freepik from www.flaticon.com
Advanced Search